1886 watercolor by Robert C. Barnfield

Overlooking Honaunau Bay is the iconic traditional structure Hale O Keawe, now part of Pu‘uhonua O Honaunau National Historic Park. Genealogies and mo‘olelo indicate that Hale o Keawe was likely built either by or for Keawe-i-kekahi-ali‘i-o-ka-moku around A.D. 1700.

At that time, it served as a royal mausoleum, housing the remains of deified high chiefs, whose powerful mana, which lived on with the remains, served to sanctify the Pu‘uhonua.

In 1829 Queen Ka‘ahumanu ordered the removal of the remaining bones and the complete deconstruction of the temple. The platform itself survived until high surf, including at least two tsunamis in 1868 and 1877, caused extensive damage.

Restored in 1966–1967, with additional restoration work done most recently in 2004, the Hale O Keawe and the carved wooden ki‘i that surround it stand as testament to the cultural and spiritual significance of the site. As we paddle our canoes past Hale O Keawe, the juxtaposition of this prominent image of ancient Hawai‘i, and our daily, modern practice of the culture of the wa’a, serves to inspire and encourage our efforts to honor and perpetuate the cultural legacy of Honaunau.

To help tell the story of Hale O Keawe, we looked to the writings of John Papa ʻĪʻI, a 19^th century educator, politician and historian and subject of the Kingdom of Hawaii. He became an attendant of Kamehameha I and  a companion and personal attendant to Liholiho, who later became King Kamehameha II. He also served as the general superintendent of Oahu schools, a member of the Treasury Board and the Board of Land Commissioners, and Speaker of the House of Nobles. His series of 1866–1870 articles in the Hawaiian Language Newspaper Ka Nupepa Ku‘ooko‘a were translated and re-published in 1959 and have provided invaluable insights into Hawaiian culture during a period of great significance in the Hawaiian Kingdom.

In his words, “The Hale O Keawe in Honaunau was called Ka-iki-ʻAlealea (The little ʻAlealea,) and was a puʻuhonua. Kaikiholu and Pakaʻalana on Hawaii, Kakaʻe in ʻIao, Maui; Kūkaniloko in Wahiawa, Oʻahu; and Holoholoku in Wailua, Kauaʻi, were also places to which one who had killed could run swiftly and be saved.”

“The person whose writing this is often went about them, including the Hale O Keawe. He has seen this house (hale ʻaumakua iwi) where the bones were deposited, standing majestically on the left (or south) side of Akahipapa.”

“The house stood by the entrance of a wooden enclosure, with door facing inland towards the farming lands of South Kona.”

“The heir to the kingdom entered the Hale O Keawe during his journey around to the various luakini heiau of Kanoa in Hilo, Wahaʻula in Puna, and Punaluʻu in Kaʻū. The journey began in Kailua, thence to Kawaihae and from there on around the island to the Hale O Keawe.“

“The appearance of the house was good. Its posts and rafters were of kauila wood, and it was said that this kind of timber was found in the upland of Napu’u. It was well built, with crossed stems of dried ti leaves, for that was the kind of thatching used.”

“The appearance inside and outside of the house was good to look at. The compact bundles of bones (pukuʻi iwi) that were deified (hoʻokuaʻia) were in a row there in the house, beginning with Keawe’s near the right side of the door by which one went in and out, and going to the spot opposite the door (kuʻono).”

“At the right front corner of the house where the unwrapped bones of those who had died in war, heaped up like firewood. In that pile of bones were the bones of Nahiolea, father of M Kekūanāoʻa. The person whose writing this is saw his own father remove his tapa shoulder covering and place it on a bundle among the other bundles of bones. He must have asked the caretaker about all of them and their names, and they were told to him. That was why he did so.”

“When the writer saw his father doing this he asked, ‘Have we a near kinsman in this house?’ His father assented. There are some people who have relatives in this house of ‘life’, but perhaps most of them are dead. The chiefs were descended from Hāloa and so were their retainers (kauwa kupono). The chiefs were born, such as Lono-i-ka-makahiki and Kama-lala-walu and so on down, and so were the retainers (i.e., the junior members of the family.)”

“After the chief ʻIolani (Liholiho) had finished his visit to the house, a pig was cooked and the gathering sat to worship (hoʻomana) the deified persons there. When that was done, the chief and those who went in with him ate together. After the eating was over, the kapu was removed. The travellers left the Hale O Keawe and sailed by canoe, landing at Kamakahonu in Kailua in the evening. There they met Kamehameha. That must have been in the year 1817.”

Herb Kawainui Kane and the Hokule‘a

Editor’s Note: Keoua Honaunau Canoe Club’s  beloved Herb Kawainui Kane, who passed on in 2011,  was the originator of the conceptual design for the Hokule‘a.  Here is Herb’s story about how the wa‘a was named:

“This happened when the parts of the canoe were close to being completed. One day when I visited the building site, a large shed at Young Bros., one of the guys had chalked ‘Da Boat’ on the side of one of the hulls. When I asked the reason for the graffiti, they said it was to remind me that it was time to come up with a name.

 “According to Kenneth Emory, in the old days a name would come to a canoe designer in a dream. Be that as it may, we tossed the question around at the board meeting a few days later. Several names were suggested, mostly compound names, each including several words; none seemed to be what everyone was looking for. Several weeks went by.

 “One exceptionally clear night I stayed up quite late, star chart in hand, locating and memorizing stars and their relative positions. I think I turned in around midnight. Some time later, I dreamed of stars. My attention was attracted to Arcturus, our Hokule’a. It appeared to grow larger and brighter, so brilliant that I awoke.

 “It’s been a habit for many years to keep a pad and pen on my nightstand. When the body is at rest, the mind half-awake, thoughts range about freely, and ideas form which I’ve found are sometimes worth noting down. Some painting ideas have come to me that way. I turned on my reading light and wrote ‘Hokule’a.’

 “The next morning, I saw the notation, and immediately recognized it as a fitting name for the canoe. As a zenith star for Hawai’i it would be a star of gladness if it led to landfall. I phoned Paige Kawelo Barber; she thought it appropriate. I tried it on a few others and got a positive response. The name was proposed at the next board meeting and adopted.”

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